Branchboarding is also a perfect example of applied art in public spaces. Originating from transmedia art, branchboarding integrates several disciplines, including design and architecture (encompassing material science, geometry, and informatics), natural sciences, landscape art, social design, performance art and body/sports arts from both cultural and physical perspectives (refer, for instance, to Modern Dance or Movement Culture).”

Branchboarding should not be seen merely as the design of one or more “riding objects.” It’s not just a branchboard, but branchboarding as a whole (all the effects of this “idea” within the community, but also in the digital and analog world) that should be seen as a chain reaction, a work of art, a social sculpture. (See: Joseph Beuys / Social Sculpture: “Art that aims to have a formative influence on society.”)

Through their performative public presence, every Branchboarder attracts a lot of attention (from people of all age groups and social backgrounds). It’s not just about a unique and nature-oriented design of their “vehicle,” but also about the individual way of dealing with it and the manner of their movement in the landscape. “Art of Flow in the (Urban) Landscape.” At the same time, they represent a philosophy, a value system based on fundamental natural principles (and aspects of life) that are universal and timeless. (They are thematized and passed on through strong, straightforward yet complex symbolism). Every Branchboarder, with their performative public presence, adds a positive symbolic, visual, aesthetic, and emotional value to the environment and culture, spontaneously potentially inviting others to become a part of it and actively do something good for themselves and their surroundings.

Extremely interesting are the various geographical, landscape, and cultural backgrounds and the dialogue between people who have decided to build or acquire their Branchboard (have it custom-made) and use it in their individual way (where they move daily or also at “special places” of their choice). Some will see their branchboards more as accessories (fashion, design, or art pieces), others will use them to expand their movement patterns or push their limits (in street style or downhills). Some will define Branchboarding as an opportunity for amusing and active time with friends or family. This certainly creates a very interesting/valuable dynamic and competitive spirit within the community.

History:

The origin of Branchboarding goes back to the year 2010 and was initiated by Nico Rayf in Vienna, Austria. The idea of mounting skateboard trucks with wheels onto a branch to ride it had its beginnings during the construction of a big slingshot when a roller-like-shaped branch (now called “The Origin”) was discovered among leftover materials. Over the following years, Nico Rayf experimented with various shapes and riding styles. In 2016, he released a Branchboard construction guide (DIY / Step-by-Step Manual), officially founding Branchboarding and the brand and research labeled “Tree of Motion”.